seeming unimaginative at times, there’s more opportunity than ever for artists to take that palette – huge 808 kick drums and sharp, rolling snares and hi-hats, usually accompanied by sort kind of ominous rising synth – and flip it in interesting, unique new ways.
it’s this kind of bullshit ass commentary that makes me want to fist fuck the internet. Yeah we’ve never experienced 808’s and rolling snares before. Oh wait I forgot THE FUCKING 80’S HAPPENED.
so much of this shit is rooted in electro and Miami/Atl bass but yeah lets ignore all that shit because now kids don’t like rap in their rap music. When I say I mean real electro not that shitty haircut bullshit that it morphed in to, you know the kind that involved jerri curls.
You can keep this bullshit to yourself, I’ll just stay in my corner pumping southern rap like I have been since 1986.